"Corbitt and Belcher are excellent at the push-pull of contradictory emotions, their troubling chemistry making the play’s grisly conclusion feel necessary.”

The Guardian's Review of 'All at Sea'

The master plan was well thought out, but it had detrimental consequences. Colin rowed out into the North Sea in a canoe and faked his death, planning for the couple to claim his life insurance and run away to start a new life. The reality, though, is far less glamorous, as Colin is forced into hiding to uphold the façade, while Deborah puts on a show of grieving for a man who is really living under the stairs. 

On September 17th, members of SPACE Architects had the privilege of getting a behind-the-scenes look at the rehearsal process, witnessing the actors’ and director’s dedication and craft in real time during a two-hour session. With just two actors, Sarah Belcher as Deborah and Phil Corbitt as Colin, it was mesmerising to watch them capture such a wide range of emotions while skilfully exploring themes of marriage, deceit, and the extremes of human behaviour. 

It was also clear that director Maria Crocker and writer Alison Carr have a deep connection to the story, and they portray this sensitive, complex narrative with skill. Every detail, from vocal intonations to stage props, was thoughtfully considered throughout the process. 

Intimate and confronting in its themes, the production transports you into the couple’s living room, forces you to question how far you would go for financial security, and leaves you both morally conflicted and empowered. 

Following its Newcastle run, All at Sea received further recognition when it won the Rose Fisher Award for Writing from Laurels, a testament to Alison Carr’s impactful writing. She expertly combines humour with genuine reflection, exploring the complexities of marriage and financial strain with equal sensitivity and intensity.